the artist posed as bully

“I hate this song and Eminem. His music is filled with misogyny.” she wrote in a comment.

Each of us makes something of what happens in our lives. We each put our excretions into the world – this is Sufi philosophy.

Eminem argues with himself, his experience, his hatred in public. To answer hate with hate is to dance with him on his terms. That’s a big part of his movie 8 mile – he learns to control his own behavior, chooses to define the terms of the dance in the world, instead of reacting to the other’s provocation.

Eminem seems to struggle with his own illusions of control, addiction, and issues of relational dominance. He makes from that struggle. He sorts through his own shit.

He voices violence against women in relationship to him. If we as women can’t face that down, can’t learn to redefine that dance as we face people like Eminem, what strength do we have in this world? I’m not saying to distract ourselves by arguing with bullies, I’m speaking to something larger …

I like the fight he has, his commitment to making his way.

There are many tricks in his lyrics. He may be tricking himself too. Don’t confuse the entertainer with the mask they are wearing … There are entertainers I know who preach peace but walk in the world with an incredible amount of violence/social dominance. You never know till you meet the person.

 

photos : the Post-Apocalyptic Movie Theater – Gooski’s 7.24.2010

The first three stills sketch out the setup.

The remaining six were taken during the course of the screening – work by Matt Wellins, Ben Hernstrom, and myself are represented in these six stills.

The installation is projected in the natural space. The back wall of Gooski’s back room has a reflective quality, visible electrical outlets, and some graffiti.

The PostApocalyptic Movie Theater created a beautiful environment to inhabit. There were some threatening moments, as in Mr. Hernstrom’s datamoshed stuff, but the show was really about beauty. I screened mostly atmospheric works that captured particular moments and moods here in Pittsburgh, punctuated with pure abstraction (Wellins) and narrative humor (Files, from the 2006 Braddock Film Frenzy! film production challenge weekend).

Attentive, small audience, as I have become accustomed to for this experimental work. Thanks so much to Susan Constanse for the invitation to create the work. Thanks ever so much to Billy Wright for being the essential chauffeur – the work couldn’t have happened without his assistance.