An experiment in audience relationships, exhibitions, intimacy, the internet – – I’m streaming The Gravedigger’s Meditation at station-number-six.com through Feb. 28. After that, it disappears into the land of ‘password protected screener’ as I work to get it shown elsewhere.
Vladimir Nabokov said of Gogol: “When, as in the immortal The Overcoat, he really let himself go and pottered on the brink of his private abyss, he became the greatest artist that Russia has yet produced.” Gogol’s story of a poor, quiet copyist who finagles a new overcoat in the bitterest of Russian winters. Then, the coat is stolen; what was a blessing becomes a disaster.
This animation – – yes, I did steal images of overcoats from the internet in order to make it … The piece is also a meditation on the relationship of copying, language-as-object, record-keeping, and technology to a community’s memory. There may be a wink at the commodification of appearances but you know, the first rule of capitalist materialism is you don’t talk about how it works.
Animation frankensteined together in Adobe AfterEffects from parts created with QT7, Processing, and Quartz Composer. Audio created & mixed in Apple Logic, better with headphones.