i.thou : director’s statement [excerpt]

i.thou : caged bird

i.thou : caged bird

This film evolved from the process of codec alteration, commonly called ‘data moshing’. I saw Takeshi Murata’s work at the Hirschhorn in 2007. Already working in experimental video, I decided to figure out how to do that. A few youTube tutorials later, I started playing with data alterations on a variety of found, captured, and recorded videos. As I figured out the results I preferred – richer colors, slower transformations – I became really interested in moments where two people in a conversation ‘merge’, as in the closing image of the woman holding the man at gunpoint.
i.thou : blue faces

i.thou : blue faces

This kind of merging or collapsing of faces operates in the space of social dynamics of self and other. Martin Buber’s psychological philosophy describes how different people can see the world, based on their own personal development. In the ‘i-it’ dynamic, the self relates to others as objects or dolls, fixed images of some sort. In the ‘i-thou’ dynamic the self relates to other people as complex being with lives of their own. The term ‘sonder’ is also related to this.

I began thinking about the natural objectification that is at work inside the language of film. Constructing this film over a 5-year period was a long period of musing on the projected image, the archetypes that good films evoke through great image construction. Also, how the human mind constructs images or ideas, how our imaginations participate with the physical world to create reality.

i.thou : lets play telephone

i.thou : let’s play telephone

I’m looking forward to announcing exhibition / screening of the work.

Total running time : 38:29 // dolby surround // available in a variety of digital formats

Pretty good, for a human : Ripley as Durga

Ripley in fighting suit after opening the hangar door

Durga : n (Hinduism) the goddess Parvati portrayed as a warrior: renowned for slaying the buffalo demon, Mahisha


First motion : she raises her armored arms

In one version of the myth, Durga was a warrior goddess who defeated the demon Mahisashur who had unleashed a realm of terror on earth, heaven and the nether worlds.

Mahisa means buffalo, Mahisasur was born from the form of a water buffalo. He could not be defeated by any of the gods because of boons he had received from Brahma.

Over time, each god armed Durga with a suitable quality and weapon, so that with their combined effect she was able to defeat the demon. The word Shakti, or strength, reflects the warrior aspect of the goddess.

In another form, she is also Karunamayi, or one full of kindness.

Ripley catches up the Alien's head in her claw

Durga : In Hinduism, one of the forms of the goddess Devi or Shakti. The wife of Shiva. Born fully grown, created out of flames that issued from the mouths of Brahma, Vishnu, Shiva, and other gods. She embodies their collective energy (shakti). They created her to slay the buffalo-demon Mahisasura, whom they were unable to overcome. She is usually depicted riding a lion or tiger, each of her multiple arms bearing a weapon.

She uses the tools at hand to keep her enemy at bay.

She throws the invading Alien/Demon down the airlock, to exorcize it

The enemy at the heart of the film Aliens are profoundly terrifying creatures. The gory possessions, devourings, consuming of human bodies in order to live point allegorically to possession and exorcism stories, but with absolutely deadly results – no human ever survives an alien possession.

Enemies in horror films have to be absolutely other, yet embody something of ourselves that we are frightened of. The absolutely instinctual nature of these mucus-soaked creatures, whose nested jaws speak to some horrifying devouring appetite, some horrifying devouring reproductive nature . . . draw whatever metaphorical conclusion you will.

Monsters like this are the closest thing to a demon our atheist culture cops to. Our heroine, Ripley, warrior-queen, embodies Durga, that aspect of Shakti who is the original demon slayer, a goddess from a religion tended to by millions in India.

Alien hangs on to Ripley's foot, attempting to avoid her ejection (or exorcism) from the ship into space

She hauls herself up from the edge of the void, against the pull of the void, and prevails.