My essay on capture [ a semiotic meditation ] has been published in Libregraphics issue 2.4. Check it out, its an amazing issue, featuring writing by ginger coons, Antonio Roberts, Stéphanie Vilayphiou, Kenneth Goldsmith, and more.
So far, two of my 30/30 poems are video clips. Animations. It is a puzzle, keeping the text as the focus, playing with the tension of moving text and moving image.
When I make performance works of poetry reading combined with backing film and audio sketches, they work in a much more complex and fluid way than these videos. The bling poem is fixed, for one thing – its like an in-print, book publication. Performances shift and change, they take the audience elsewhere. Since they cannot be replicated, there’s an electricity present . . . mm.
April 11 : honeytongue
Bling poems because the words are given the bling of movement, color, illustration, imaginary context. The words are dressed.
Most of the poems I’m publishing at my tumblr I’m posting as photos. tumblr has the worst text editing markup management system of all time, at least for me. One has almost no control over how the text looks. That’s dissatisfying.
There is nothing more fruitless than having a work process argue back with me. At times, discoveries are made during the workarounds.
Poetry begins as a series of images; poetry is the most synaesthetic of forms. When the words lock together into the right combination of sound and meaning and the images invoked parade past in an imagined slide show . . .