[ collab ] »radiant devices« 08::30::14 : metro, chicago

This summer I finally buckled down and learned processing, the coding language built for artists. I find it incredibly responsive and immediate, unlike some of the user-interface based traditional video editing tools. And its so much fun to play with!

Back in Pittsburgh I created many video projections for live performances by bands and other live events. I also created & projected visuals for theatrical and dance productions. I’d been looking for the chance to work like this again in Chicago, and was blessed with the invitation to work with »radiant devices«!

»radiant devices« are inventive musicians, with a big live sound augmented by instruments they’ve built from bicycle forks and abandoned gas tanks and other objects. Each instrument weaves into a rich bed of sound – yeah, guitar, bass, drums but also dj with loops and Mojdeh’s haunting voice – sometimes augmented with skilled use of a megaphone. Listen to »radiant devices« at their bandcamp  – –

August 30 saw our first performance together, at Chicago’s historic live club, Metro. You’ll find my view from the projection booth in the attached image – for more stills from the show and samples from the live-responsive code please visit the flickr album of stills from this collaboration – –

rd-metro-mv

 

transition : from analog to digital // Tony Balko

Last night I got to surprise an artist-colleague, someone I haven’t seen since he left Pittsburgh in the oughts. In the 412, Tony did projected video work. Sometimes he edited together film-like things, sometimes he improvised with multiple 8 or 16mm projectors. Much of it, for me, was threshold-recognition work, immersive stuff playing with the viewers perceptual equipment (i.e. our eyesight & optical processing system). Yes, fear of seizure could be part of the experience, and fear of flashbacks, if acid or mushrooms were ever one’s particular trip. Always I found an engaging sense of wonder in Tony’s work, wonder at playing with the illusions underneath all projected film.

 

”]

Balko packed the equipment for this installation into the pedestal supporting the piece. He created the software that manages the dilating, color-shifting projection using Processing.

I really enjoy watching Tony’s work make the shift to digital instrument creation. In Pittsburgh, I got to audience some of his collaborative video projection work. That content was created with existing video editing software, and was projected with live music performances with bands like Centipede Est. I also got to experience some of the pieces he made with analog projectors. Good stuff.

The leap to Processing deepens the instrumental improvisation. By building software, Tony creates the instrument projecting the work. His prior 8mm/16mm stuff worked, for me, as instrument/improvisation. The software made with Processing allows the art to respond to input during the show, a major departure from edited-together ‘finished films’ built on existing editing platforms.

Concerns with image flicker rate and abstraction unfolding over time certainly remain . . .

 

 

Check the flickr set, including video.

 

 

 

run run run : rashid johnson’s fugitive body

Happenstance and a work meeting downtown got me near enough the Museum of Contemporary Art to stop in today. Glad I did, as Rashid Johnson’s show Message to our Folks gave me plenty to consider. Here’s one axis of thought about the work.

The installation-driven work gave me elements of a marred home interior. Flooring, a gallery of wall photos, “oriental” rugs, furniture installation. Fire-branded wood flooring; rugs and furniture defaced in clean, intent gestures. Spray paint has as much intentionality on one rug as the crosshairs machine sewn into a carpet in a separate room.

My personal sense of home is the residence I make in my own body. I find Johnson’s defaced house imagery incredibly compelling.The argument of any cultural hatred (misogyny, racism, homophobia, xenophobia) is, truly, the negative cultural projections written on the body of its targets.

 

 

rashid johnson : single work, installation view

 

Smashed mirrors provide a broken self-image. Who gets seven years bad luck for making this work? No, the bad luck is having poor mirrors, messages that do not reflect the truth of who you are or what your potential might be in this world.  Mirrors reflect the body, physicality, the [perceived] object in which a person lives. A culture providing a broken self-image – and then you live with that . . .

 

 

run run run

Run run run. Don’t let them catch you out late, don’t let them catch you walking by yourself, carry yourself shoulders back, wear jeans, the tighter the better, they can’t rip them off easy. Run run run. Rape culture trains women to live in fear of being caught by strangers. How do you carry your keys as you approach the locked door of your apartment? How do you vary your walk home, to not make yourself a target? How do you make sure you don’t make eye contact, but know who’s staring at you on the train?

Run run run. Remembering walking through Bloomfield in Pittsburgh with a friend, stopping to dig in my purse for something and he said “Not here, you’re making yourself a target” and I hissed at him “I am not, I know where everyone is standing on this street”. The crosshairs machine-stitched into the carpeting – its written in the lining of the room, in the wallpaper of your mind, in the carpeting of the psyche. Of course I think of Trayvon Martin, but I also think of Johnny Gammage, who died “driving while black”. And I think of all the targets that hate culture puts on anyone’s back, for any visible, physical reason at all.

Run run run. Hm, frying pan or fire? What humans do not size up, categorize, sort, by appearance, by status, by the metadata attached to the person? Where is the predator who has created the broken mirrors upon which to cut one’s self image?

Run run run.  How has your house been defaced by cultural programming?

For a sense of the whole show, check out artnet’s full photo essay over here. (link takes you to another RUN piece inside the show). Rashid Johnson’s Message To Our Folks is at the Museum of Contemporary Art, Chicago, through August 5 2012.

I feel like ‘little miss obvious’ writing about this, the work speaks so clearly to me. Would love thoughts from others about it.