My ‘data painting’ works are short meditations intended to capture a particular mood or moment. This work, created between October and December of 2015, evolves from my witnessing and considering the public struggle of the American people. We remember. There are significant gaps between objective ideals claimed by the United States of America and the behavior and policies of its agents.
No single work of art can lay claim to all of this space. It can open a side door into talking about what we don’t talk about. [ motel black : 1:15 sample here ] That shadow, whatever it is so many white men and women of generation X are shooting up to avoid talking about. The powerlessness we have witnessing the lynching of Black citizens by agents of the state. The poisoned water supply of one of our cities. It is so much, too much.
Datamosh and artefacting open a hallucinatory, a dreamspace, point to the abrupt discontinuity between the state’s professed ideals and its agents’ behaved reality. Citizens struggle to discover / create / dig up a justice [ the badge discovered by the woman digging with her hands ] claimed by the state in its constitution, while past and present acts of the state directly contradict those ideals [ the human bones discovered alongside that badge by the woman ].
A percussive soundtrack carries the viewer through the dream-journey. Colors and stars indirectly evoke the American flag . . .